These bebop
Bebop Guitar Lessons
Bebop Etude #1: Petite Tournesol – Overview
Let’s get modal in this bebop
Bebop Etude #1: Petite Tournesol – Performance
This bebop etude employs diatonic triads, but in an uncommon way; breaking up the shapes and rhythms to create “hills and valleys” in the melodic line.
Bebop Etude #1: Petite Tournesol – Breakdown
The secret to playing interesting solos on a modal progression is to imply harmony by using the diatonic triads of the key. There are lots of creative ways to develop melodies on these essential shapes, using them to create a more “horn-like” line. Also, in the second half of this bebop etude, check out the “major triad” pairs to get into some extended harmony as well as the use of the “major triad hexatonic.”
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Bebop Etude #2: Reflections One – Overview
This classic Dorian chord progression is a staple for jazzers of all levels and styles. It’s inspired at least two famous compositions: Miles Davis’ “So What” and later John Coltrane’s “Impressions.”
Bebop Etude #2: Reflections One – Performance
In this bebop
Bebop Etude #2: Reflections One – Breakdown
The biggest question on playing a long modal tune is how to get away from just playing the diatonic scales. This bebop etude employs implying a “quick V” cadence to give an ‘in and out” sound to your line. I’m making use of a dim7 arpeggio over the V7 chord and the tri-tone sub to create “outside” tensions—always careful to resolve!
Download the tab & jam track for this bebop
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