The blues-rock genre has provided a stage on which some of the most legendary guitarists of all time have stood. Players like Jimi Hendrix, Eddie Van Halen, Jeff Beck, Michael Schenker, Eric Johnson, and David Gilmour are lauded for their exceptional harmonic and melodic styles of blues-rock soloing.
In his course, Breakthrough Blues-Rock Soloing, Jeff McErlain shares a number of simple concepts to help you break through and expand your soloing palette. Here are four free video
Guitar Lesson – Natural Thing: Performance
Okay, there’s a lot of stuff going on here! What I would really shoot for overall, knowing this is a somewhat challenging
As a general rule, blues rock is rarely used and Ionian (major) scale, it just doesn’t sound that bluesy. The Ionian scale would have a natural seventh degree, and this case that would be F#. Try playing that over this chord progression and see what it sounds like. It won’t be bad, but it won’t be correct for a classic bluesy rock sound!
Guitar Lesson – Jimi Univibes: Performance
I’m definitely channeling Jimi Hendrix on this and a mixture of to my other favorites who were also clearly influenced by Jimi: Robin Trower and Uli Jon Roth. I actually got into Robin Trower before I did Hendrix with the classic record Bridge of Sighs. I highly recommend this record, and although Trower often took a lot of heat for his Jimi similarities, he really has his own thing. The main thread between those two is the use of the univibe effect and playing a Stratocaster.
Uli Roth replaced Michael Schenker in the Scorpions. Uli was a major influence on in Yngwie Malmsteen and was one of the originators of mixing classical style ideas into metal. Check out the song “Sails of Charon”, which predates Malmsteen’s first record by close to a decade. Uli also had his own take on Jimi, which was very influential on me.
Guitar Lesson – Nectar of the Gods: Performance
My favorite thing to do on this, or any Mixolydian jam, is to just take the minor pentatonic scale and add in a natural 3rd. C7 is spelled C-E-G-Bb, so to properly cover that chord I need to add in the E, so I will! For example, C min pentatonic is C-Eb-F-G-Bb-C. I can add in an E natural to the scale to match the chord, C-Eb-E-F-G-Bb. It’s an EXTREMELY useful and bluesy sound to get under your fingers as it outlines the chord and the Eb gives it that bluesy element that we all love.
Guitar Lesson – Nectar of the Gods: Breakdown
I don’t really have a name for the scale that I just mentioned, but it’s extremely important to get it under your fingers. As you can see from the video it’s important to play the Eb to E both ascending and descending. The scale itself can almost be played straight down or up as it has such a distinctive sound and outlines the Mixolydian scale without actually playing the full scale. In the video I discuss how I hit some chord tones as well that are related to the C major pentatonic scale, but spend a lot of time on the first scale I think you will get a lot out of it.
Digging these free blues-rock