The second half of the ’50’s was a very special time for music. Chicago Blues was at its peak, Rock & Roll was in its infancy, and Rockabilly and Surf music were right around the bend. Of course, all of these new and exciting styles of music were powered by the electric
Whammy Bar & Vibrato
Another way to change pitch was using a whammy bar – a Bigsby unit like most Gretsch guitars were outfitted with or the oddly named tremolo handle on a Fender stratocaster. Using it while picking means changing your way of picking a bit. Or, you can do what a lot of players did: just use it at the end of a solo or a song to shake up the final chord.
One of the things that make
Chromatic Runs
Chromatic runs are a feature of many gypsy jazz solos. In rockabilly, they’ve also become a staple.
House Cats – Performance
Download the tab, notation and jam track for this rockabilly
House Cats – Breakdown
A free take on “Hit the Road Jack” and “Stray Cat Strut”. I was completely knocked out and still am hearing Brian Setzer’s “Stray Cat Strut” in the early 80’s. The tone of the big Gretsch
Rumble Jets – Performance
Download the tab, notation and jam track for this rockabilly
Rumble Jets – Breakdown
Brian Setzer and The Stray Cats were a direct link back to the future for me. Setzer opened a lot of doors. I tell myself, this little tune could be one of theirs. Playing this kind of music live is great fun. I love the energy. People dance to it. Playing fast riffs is just cool here.
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