Every once in a while, things at the country jam may become a bit… unpredictable. It’s standard to need to be able to improvise, but when you’re unfamiliar with the country tune, how do you lead your band?
In his course, Ten Gallon
Here are 10 country
Working Man in A Intro: Overview
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We’ll get things started with a working man blues feeling track in the key of A. Now if you picture yourself on stage and you’re looking back at the drummer to figure out what y’all are going to play, he’ll probably look back at you and say, “Hey man, it’s just four bars of 1, I’m going to give you a four count.” Now, that doesn’t really say if you have pickup notes or not, or if you should play pickup notes, or how you would even do it. When the drummer goes 1, 2, 3, 4…then you need to be playing your pickup notes on 3. But, 9 times out of 10 on a working man blues feel, I just wait for that 1 to hit and just floor it.
Working Man in A Intro: Performance
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Here’s an intro lick to be used when you’re playing a working man blues feel in A. The goal here is to play something that can bring the singer in and land on our feet on the root.
Working Man in A Intro: Breakdown
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This first track is a working man blues style rhythm, which is essentially 4 bars of 1. It seems weird that a song would just start with a 1 chord, but that happens quite regularly in country music. This means we have sixteen beats to work over, so I tend to break them up into two sections. I’ll lead into the song with something simple, and of course, bending the strings and getting a really twangy sound really works. In the video lesson, I’ll show you how to play this intro part including all the techniques needed to pull it off. Let’s check it out.
Working Man in A Turnaround: Performance
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Now let’s look at the turnaround for our working man blues in A. Again, here we’re just playing just four bars on 1.
Working Man in A Turnaround: Breakdown
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So: What is a turnaround? A turnaround actually happens after the first chorus, and it usually just segues a little bit of instrumentation in between the chorus and the next verse for the singer. Kind of gives them a little breath, which is a good thing sometimes! And of course, sometimes songs have a lot of verses and choruses, so a full-on solo doesn’t make sense.
Okay, so from a
Working Man in A Outro: Performance
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We’ll wrap up things here with the outro for our working man blues in A.
Working Man in A Outro: Breakdown
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Now folks we’re diving into a four bar outro. An outro of a song means we’re getting out of there – this song is done, and it’s time to put this puppy to rest. Well, how do we do that properly? For me, especially in a chicken pickin’ tune like this, I like to start high and work my way low, so the song hits the climactic point right when the singer ends and then finishes on an A chord.
G Standard Country Intro: Performance
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Here we get things started over our G standard country tune with the intro. We’ll be keeping things simple here to stick with tradition, just trying to bring the singer in on the tune.
E Rockabilly Outro: Performance
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Now we’ll look at the outro for our rockabilly track in E.
Swing in A Turnaround: Performance
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Now let’s check out how to play the turnaround for our Western swing track in A.
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