Every serious
Learning how to stop copying
Table of Contents
- Marty Friedman on Why Copying Doesn’t Work
- The Problem with Trying to Be Your Heroes
- How to Develop Your Own Guitar Style
- Find Your Musical Voice: Marty’s Counterintuitive Advice
- Guitar Creativity Beyond the Fretboard
- How to Improvise Guitar with Originality
- Practical Steps to Stop Copying Guitar Licks This Week
- Study the Art of Soloing with Marty Friedman
Marty Friedman on Why Copying Doesn’t Work
Marty’s story is as honest as it gets. He started out trying to play like the guys who blew his mind growing up: Uli Jon Roth, Frank Marino, Steve Lukather. He worked, he practiced, he transcribed. The results, in his own words, kept coming out like a very poor imitation. At a certain point, he realized something that’s reshaped the way he thinks about
The Problem with Trying to Be Your Heroes
Marty’s diagnosis is one most serious players eventually recognize in themselves. You can listen to a player you love until you’ve memorized every phrase. You can analyze the notes. You can transcribe the lick. You can even play the same notes on the same instrument in the same key. And yet, it still won’t sound like them, because the part that made you fall in love with their playing in the first place lives inside their touch, phrasing, breathing, and their entire physical relationship with the instrument.
This is a hard truth for any guitarist who’s poured hours into reproducing a hero’s solo. The good news is that those hours weren’t wasted. Your ears developed. Your fingers learned new shapes. Your understanding of phrasing deepened. From that foundation, the real next step is to turn that vocabulary inward and use it to discover what you sound like.
How to Develop Your Own Guitar Style
Developing your own
Marty’s example is instructive. As a young player he was a downstroke punk-rock kid built on Kiss, the Ramones, the Sex Pistols, and the Dead Boys. He didn’t try to graft Uli Jon Roth’s runs onto that foundation. He polished what he had, then expanded it gradually by absorbing music from sources nobody else in his neighborhood was listening to. The result, decades later, is a
Find Your Musical Voice: Marty’s Counterintuitive Advice
What may sound like the most counterintuitive advice in Marty’s lesson is also the most freeing: if you absolutely love something another player does, your job is to analyze it and make it your own. Make variations of it. Run it through your own hands, your own touch, your own phrasing instincts. Let it come out sounding like you. Borrowing this way is how every great guitarist has built a distinctive voice.
This sounds simple, and it is. The hard part is the discipline to stop after the analysis and start the personal work. For a deeper, structured approach to extracting what you love from other players without becoming a clone, TrueFire’s guide to guitar style analysis walks through the framework in detail.
Guitar Creativity Beyond the Fretboard
One of the most surprising parts of Marty’s musical biography is how broadly he listens. After cutting his teeth on punk and hard rock, he started absorbing music with no
Guitar creativity grows fastest when you let in melodies that surprise you. If your phrasing has gotten predictable, try spending a week listening to a tradition you’ve never explored, then sit down with your
How to Improvise Guitar with Originality
Knowing how to improvise
A useful daily exercise: pick a chord progression or a backing track. Set a timer for ten minutes. Play through the progression and improvise everything you can think of, even if it sounds terrible at first. Avoid reaching for familiar licks. When you find a phrase you like, play it again and refine it. Build a small personal library of phrases that came out of your own hands, in your own time, without referencing anyone else’s playing. Over months, that library becomes the seed of a personal vocabulary.
Practical Steps to Stop Copying Guitar Licks This Week
Here’s a one-week experiment to break the copying habit:
Day 1: Pick a song you’ve been transcribing or learning note-for-note. Set it aside for the week.
Day 2: Improvise over the same chord progression for ten minutes. No reference recordings. Record yourself.
Day 3: Listen back to your Day 2 recording. Find three moments you actually liked. Write down what made them work.
Day 4: Listen to a tradition outside your usual genre for an hour (ideally one without lead
Day 5: Improvise again over the same progression. Try to play what you heard yesterday, filtered through your own touch.
Day 6: Pick one element you love from a hero’s playing. Steal it shamelessly. Then play it eight different ways, every way being your own.
Day 7: Record yourself improvising for ten minutes. Compare to Day 2. Notice what’s changed.
Study the Art of Soloing with Marty Friedman
If Marty’s perspective resonates and you want to study his approach to soloing in depth, his complete Art of Soloing bundle on TrueFire walks through every concept he uses to build solos that sound unmistakably like him. The Marty Friedman All Access bundle includes one full year of All Access plus lifetime access to the Art of Soloing bundle for $99. That gets you the entire TrueFire catalog for the year, plus permanent access to Marty’s signature curriculum on developing your own voice on
It’s the most direct path into the Marty Friedman mindset on
Take Your Guitar Originality to the Next Level
Learning how to stop copying
Want a guided path? The Marty Friedman All Access bundle ($99 for one year of TrueFire All Access plus lifetime access to Art of Soloing) is the fastest way to study his approach directly. Or try TrueFire All Access for FREE with a 14-day trial to explore the broader catalog at your own pace.